From the opening green text on a black background, flying through the air to the last moments with a kick-ass song from Florence and the Machine, The Matrix is still very much a lesson in how to do Sci-fi correctly, still holding its own twenty years later. Did I care about the characters lacking depth? No. Did I care about the plot holes? No. Did I care that I would have to watch two allegedly bad sequels to get to the end of the story? Possibly.
For all of the flaws that plague the film and the genre, what the matrix does to make it a cult classic is to get the very basics right in a way that not many can. The world building is fantastic. You see some odd things, start to question them and then get thrown into this mind bending reality, which will leave you pondering it in the days, weeks and months to come. It hits you and lead character Neo head on from the moment he takes the red pill. The idea that you are merely in a simulation has been made iconic by this film. But what this film does is take it further, showing a dystopia where humans generate heat and energy for the artificial intelligence and are nothing more than batteries. If you knew this, would you rather have taken the blue pill and forgotten everything about it? This is the question that Matrix proposes to you. It makes you think. While there are clear morals set out, the decisions we could make are blurred by constant ambiguity.
A Danny Boyle film about the Beatles? Could this be any more British? Well, probably not unless we see a cameo from the queen (But she’s too busy with her Corgis). But unlike a bastion of the world that some would have you think, this film ends up more of a post brexit rubble (Okay, not quite that bad).
Jack (Himesh Patel) is a wannabe pop star who sings in pubs with his guitar. However, his mundane lyrics and over reliance on power chords mean he’s never going to make in anywhere. That is until one day the power goes out and he gets hit by a bus. Upon waking up, he learns that nobody else remembers who the Beatles are. He then uses their songs to make himself a world wide music star.
X-Men, Men in Black and Godzilla all providing an avalanche of CGI , a film
like We The Animals can be a welcome change of pace. However, just as CGI
doesn’t guarantee a good film, a lack of it means a solid story, action and
cinematography is required. What WTA offers is a beautifully told intimate
Based on a book of the same name, WTA focuses on Jonah, a 10 year old mixed race Puerto Rican/American boy and his two older brothers Manny and Joel. As the only mixed race boys in the neighbourhood, they have the attitude of them versus the world. Almost inseparable, they are synchronised and have one anothers back. They live in poverty with their mother and father. We see the gritty story of these boys growing up as their parents have problems, ranging from poverty and unemployment to depression and domestic abuse.
As this is a new release, there will not be any spoilers
When a precious film gets a sequel, your first feeling is that of dread. By the end of the forth Shrek, I felt let down. Therefore, after the end of an almost perfect trilogy of toy story, one could be forgiven for considering this film nothing more than a potential stumbling block. However, the good news is that this film doesn’t dampen the legacy left by Tom Hanks and co and brings about a new age for Toy Story.
While your mum’s favourite film of last year was Bohemian Rhapsody, I must say it was one of my least. Therefore going into Rocketman, I felt a certain sense of dread. While I love queen, my reaction to Elton is more lukewarm. I like Rocketman and Tiny Dancer and I love your song. But he’s not Freddie. So was Rocketman better than BoRhap?
I hope you don’t mind that I put down in words.
Well, the quick answer is yes. The biggest difference between Rocketman and Bohemian Rhapsody is that Rocketman is a musical. The songs are integrated within the story unlike Bohemian Rhapsody which was a biopic with songs in. This lends more flow to the story as music is often used to transition between periods in Elton’s life. At first this is odd. As we are told of Elton’s childhood, we get out first musical number dancing with his neighbours in an overcast street to “The Bitch is Back”. While usually effective, some do feel forced in and there isn’t quite enough final variety within Elton’s songs to always match the moods portrayed.
The setting for the film is a rehab center. Elton (Taron Egerton) has admitted himself saying he wants help for his addictions to drink, drugs and everything else. It’s a very harrowing look at where he has come, with a stark contrast against his colourful parties in his flashbacks. The story is well put together and you actually want to watch it unlike BR where you were just waiting for the next song.
Pokemon, but in real life. This is my younger self’s dream, getting a Pokemon and being the very best like no one ever was (For the record, I would’ve chosen Squirtle). I owned the cards and grew up watching the TV show and still remember Ash being late, only getting a Pikachu which would shock everyone, stealing Misty’s bike, beating Brock’s rock type Onix (Which he shouldn’t be able to do by the way) and most emotionally, I remember the orignial Pokemon film and the sadness of Pikachu crying when Ash was turned into a statue [Spoiler alert]. So when a couple of years ago, Pokemon Go came out and took my summer by storm, my inner-child finally could recognise the dream to be a pokemon master. Then Pokemon: Detective Pikachu came along, a film with CGI pokemon in the real world. Needless to say, this immediately became a must watch. Therefore, I will discuss this film as objectively as I can, but also as someone who grew up with these 151+ monsters.
Ninties comedy Seinfeld was regularly described as “a show about nothing”, yet it had enduring appeal. “Still Walking” is similar in this regard. The film is not story driven, but is a very human representation of a family dealing with grief and relationships.
Year of Release
A friend of mine was considering whether to come along to this film, but decided not to as his reading around the film was that it seemed downbeat. Upon my return home, he asked whether this film about grief was really sad. Much to his disappointment, I replied that it wasn’t and that it made me chuckle quite a bit and that is of full credit to the director and his script. I first heard of Kore-Eda earlier this year when I went to watch the maginificent Shoplifters (Summary here). The characters in that film are likeable and you learn more throughout this journey.