Review: The Climb

I didn’t admit it in my last review, but I actually watched this film on the same day as His House. I went to Croydon (Vue, Croydon Grants), watched this, went back on the train, it was still early (8:30) and got off at Wimbledon to watch another film at the cinema (Curzon). A new low as one parodied one’s self. Oh well…

The climb is a small independent, almost dry, buddy comedy about two friends Michael and Kyle. Played by the directors and writers of the same names, Kyle is a bit of a pushover, while Michael is irresponsible and usually his actions lead to Kyle’s suffering. The first scene follows both of them on a bike ride. Kyle is discussing how he is marrying this perfect woman who loves him for him. Then Michael say’s he’s slept with her rather remorselessly. In the next scene, it’s the wife’s funeral and Michael, who ended up marrying her, is in mourning while Kyle is still in pain.

As the film goes on, Kyle gets a new fiance, who tries to change him. They’re not great together and Michael needs to choose how to approach his friendship and whether he’s willing to allow Kyle to marry this new woman.

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Review: His House

His House is on a limited cinema run now and is out on Netflix on 30th October

A couple of weeks ago, I reviewed the horror film Saint Maud. Needless to say I didn’t like it and I said that horror wasn’t my usual cup of tea. Therefore, I made the indescribably stupid decision to go and watch another horror film only a couple of weeks later, His House and guess what…

His House is a British independent horror and a directorial debut for Remi Weeks. Our lead characters are a Sudanese couple who have migrated from Sudan to Britain, on a terrifying journey. Having been in a detention centre, they are given a house to live in until their trial with the clear instruction that they must stay living there or else they will be deported. Once in there, things start getting weird as supernatural forces haunt our two characters in this place they can’t leave.

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Review: I Am Greta

It seems only fair that I lay my cards down on the table at the beginning of this review regarding my thoughts on Greta Thunberg, as it will undoubtedly have shaped my opinions on the documentary. Personally, I think she’s great. I really do. I understand why many people don’t like her, but I’m not in that camp. I don’t think she’s the answer to all of our problems, however what she has done is to inspire a very important movement which is critical for our future.

A movie where a 15 year old girl with Asperger’s starts protesting on her own outside of a building, slowly builds up a revolution in her awkward, quiet way, has to come against some evil world leaders to fight for the future of her planet and to stand on the biggest stage almost sounds like the most ridiculous film I could watch. So what a messed up world when this is true.

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Review: Akira

The brilliant thing about watching films is that you get all sorts of experiences. Woah, look there’s motorbike gangs!!! Supernatural weird pasty old looking government experiment children? BRO! Government corruption?!?! Military coups!!! Atomic weapons!!! Protests from disgruntles citizens!!! Giant mutant teddy bears?!? A weird 2001 style conscious from the beyond!! All of these were my reactions to one steam punk 1980’s anime film called Akira, which is getting a re-release in cinemas.

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Review: The 40 Year Old Version

I was sat at home one evening thinking “I don’t want to sit here and watch a movie in a room on my own”. That just felt a bit lame, so I went to my local chain of cinemas specialising in independent film and decided to give this film a go in the hope of some form of community. I went in and took my seat, waiting for this monsoon of other viewers to come in, hopefully without their loud smelly snacks, just so I could have a morsel of humanity… Nobody else came in. So there I was, sitting there and watching a movie in a room on my own. Lame. The rest of SW19 letting down the great leader Boris. When you’re all trialled for treason, I’ll be sat in the back row watching, while eating my quiet non-disruptive snack. Who will be laughing then?

So, the movie? Well, first of all, don’t get it mixed up with the Steve Carrell “No, Kelly Clarkson” movie. This film is totally different. It’s written/directed/acted by Radha Black and is semi-autobiographical. Radha is about to be forty and having won an award for thirty play writes under thirty, her career seems to be stalling. She’s lonely, teaches drama at the local school and she’s trying to get her new play she’s written into theatres, although the white theatre owner wants it to be more “universal”. It’s essentially a gentrification of a play about gentrification. In between this, Radha feels she needs to express herself more, so decides to start doing rap, something you don’t see 40 year old women do. It’s an attempt to reinvent the forty year old version of herself. It’s not really an A Star Is Born as it’s much more grounded.

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Review: Saint Maud

I was on the way out of the house to a Picturehouse surprise film preview and my house mate asked me “What film are you seeing?” I replied that I didn’t know as that was he spirit of this evening. I then said “I’m worried it might be a horror film called Saint Maud”. I’m not a fan of horror and when the BBFC card came up revealing the surprise film, well as you can guess from the title of the review, Saint Maud was introduced to me.

When I go to a surprise film preview (I highly recommend them), I want two things, to enjoy it firstly and secondly for it to be something I wouldn’t usually go and see. This film certainly ticked the second part. A low budget horror, we follow former nurse Maud who has gone into palliative care and under the deep spiritual guidance of God finds renewed purpose in dancer Amanda. Amanda’s spine disease means she will die soon, however Maud sees her as lost and considers herself to be the way to focus Amanda and make her soul pure. It’s not a cutesy little film way, it’s a creepy cultish way.

Seriously, do people actually like horror? What on earth appeals about seeing people deliberately stepping on nails or peeling the skin off their hands and being burnt alive . There was some dark un-supernatural shit which wasn’t pleasant to watch either. The director never quite knew what she wanted to do. I knew what I wanted to do and that was to go out of the exit door.

Saint Maud — holiness and horror on the English seaside | Financial Times

I didn’t really like the film because Maud was a crazy witch and Amanda was boring as well. I know horror films are not character focussed, but these ones were just so… lame. The plot thought it was smarter than it was. It was First Reformed without any great questions and a plot twist so predictable that half way through I thought no, it won’t be that easy. Turned out it was.

The music was horror-y, but because it sounded horror-y, I could tell I was watching a horror film. Great, whatever. Now I know I’m watching a film I don’t really like because I don’t like this type of film. The acting was okay. It hardly changed acting.

Not my cup of tea, but horror fans seemed to like it [Grade: D+]

Review: On The Rocks

Just before I start no doubt what is a very high quality review which discusses themes, cameras and all that twaddle, I want to make something clear. I went to the cinema because I wanted to, not because Boris told me to. This was a decision of my own free will because I am a free man and don’t just bow down to his every whim. This blog is also not part of the deep state, encouraging you to attend the cinema. If you want to, great. If you don’t want to, fine, then don’t.

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Review: The Trial Of The Chicago 7

Frankly I don’t quite know what Andy Serkin was hoping to achieve. Could any court scene top the one where Pheonix Buchannan is jailed for 10 years and informed he is a disgrace to the noble profession of acting. No, because that was a perfect movie (Unironically).

But on a more serious note, is there a more standard genre of film than a legal drama? I mean, they’re all just very okay. Put in some story of significance, bring in a couple of good actors and a funny moment, and you’ll be fine in the box office. Add in a couple of dodgy legal moments and a character you allegedly care for, that’s a template movie sorted. That’s the main problem I had with Chicago 7, I just felt like I’d seen it before.

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